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Bollywood - Where's Quality?

by Rajesh

Sept. 28, 2006

Readers Write

 

Bollywood seems to have lost the charm of yesteryears. Though occasionally we do see streaks of brilliance like the recent “Lago Raho Munna Bhai”, the bulk of the produce from Bollywood lacks quality in almost all departments. The songs do not have the meaningful lyrics or the melody of the past. The stories of the films are also more-or-less the same with a little variation catering to the taste of only a particular stratum of society.

The brilliant work of the original masters is woefully lacking. The actors, singers, directors, music composers etc of yesteryears were people who had been picked out of the masses for their extra-ordinary talent. Now Bollywood is filled with their progeny. Among the progeny very few are good, as far as giving good films or music is concerned. The bulk of the people in Bollywood today were cut out for something else, not film making, but just because they were born into a Bollywood family they were squeezed into the family profession.

When one listens to the lyrics of some of the old songs the philosophy and the truth behind the words shows that the person who wrote them was a thinker. The same goes for old films. That quality is virtually gone. Why? Have our tastes changed, as a society, or has the talent level declined in Bollywood, I wonder.
 

Comments:
Most of the movies that come out of Bollywood are nothing but cheap imitations of Hollywood flicks and movies like Munnabhai are really an exception. Leave alone the run of the mill movies. They are worthless and God knows why we even watch them. May be because they are on TV, Cable or in the theaters, we watch them. Even very very successful and cult movies like Jo Jeeta Wohi Sikandar (Breaking Away), Dil Hai ki Manta Nahin (It Happened One Night), Akele Hum Akele Tum (Kramer vs Kramer), Sholay for most part (Butch Cassidy and Sundance Kid), Kaante (Usual Suspects for the first half, Reservoir Dogs for Second Half), Satte pe Satta ( Seven Brides for Seven Gentlemen), are nothing but cheap, scene by scene imitations. Most of the dialogues are Hindi translation of the original English dialogues. If you don't believe me, please watch these movies and then make the comments.

The directors who always claim to make "hatke" movies will appear so hollow and bankrupt that you would begin to wonder isn't there any law to prosecute these directors for copyright infringement or wonder why these Hollywood studios don't bother. I mean the striking resemblance would leave you bewildered.

I also agree with Rajesh that most of the actors out there in Bollywood are there just because they were born into Bollywood. But still there are quite a few talented actors but for the most part, what ails Bollywood, at least the mainstream and commercial movies, today is lack of talented writers. They are just bereft of any ideas and would just come up with a cocktail of scripts of all these Hollywood movies.

Now, these writers are going even further. They have started to imitate the Korean and German movies. What offends most is that these writers/directors wouldn't even acknowledge that the movie is inspired, copied or whatever from some other movies. I mean they just treat the audience as so dumb that they claim anything of their own. If you watch Magnificent Seven, in the very beginning the director mentions that this is a remake of Seven Samurai... I mean then I know that the director is not claiming is his own something that is not his original idea. Given this environment, I was so pleased to see Munnabhai MBBS and I admire the writer and director for coming out with truly an original script and entertaining movie. I am already looking forward to his next project and I hope there would be more writers and directors like him.

About actors and actresses of current crop, basically the philosophy is that throw enough dung on the wall, something is gonna stick and make enough money for the media to claim him/her as a superstar. I don't need to list them here. I guess the readers are intelligent enough to know which actors/actresses can really act and who can not. - Ravindra Kumar - Sept. 28, 2006

I think when we become over –critical about Bollywood, we run the risk of over-looking the decent work of film-makers. I agree the number of flops or mediocre films have increased but that is because we produce more number of films these days. As far as quality films are concerned, Bollywood has given us some very good movies in the last decade or so.

Here is the list, in no particular order:

Iqbaal, 1942 – A Love Story, Hum Dil De Chuke Sanam, Khaaki, Dor, Hyderabad Blues, Lagaan, Hera Pheri (1999), Page –3, My Brother Nikhil, Mr. & Mrs. Iyer, Rang De Basanti, Yuva, Sarkar, DDLJ, Pinjar, Damini, Parineeta, Vaastav, Astitva, Mrityudand, Sarfarosh, Maachis, Gangajal, Munnabhai MBBS...

Well, this is my list and whether all the movies are good or not is debatable but I am sure most of them will pass the litmus test. Agreed, the list is small and this is a concern but there might be few other movies not mentioned here because they either didn’t find favor with the media or I have chosen to overlook them.

Main, Meri Patni or Woh is a classic example. I won’t be surprised if you have not heard of it.

We should acknowledge that amid the culture of copying the “tried and tested “ formula, we also have lot of experimentation being done by the likes of Madhu Bhandarkar, Vinod Chopra, Rajkumar Santoshi, Bhansali to name a few.

Moreover, I wouldn’t mind a copied product if the result is “Black”. I haven’t seen the original (Miracle Worker?) and would probably never see it but I don’t see any harm in coming up with a beautiful movie like Black for the Indian audience.

While paying due respect to movies and music of 60, 70s, we should keep in my mind that they were made/composed with that era in mind. We may continue to be nostalgic and appreciate Madan Mohan and Dilip Kumar, but the truth is we have to move on and realize that movies/music only try to represent the changing times. Having said that, I agree with Mr Rajesh and Mr Ravindra Kumar that there is ample scope of improvement and there is still a long way to go. I just wanted to highlight the “kamal in the mud” J

Speaking of quality of acting, I beg to disagree here. I don’t think we have dearth of good actors (literally speaking). Aamir, Saif, Ajay, Abhishek, Manoj Bajpayee, Irfaan Khan, Raani, Preity, Kajol, Tabu, are very good at portraying the characters they play in the movies and I haven’t spoken of Big B yet. Does it really matter if they have inherited the profession, are born actors or have come up the ranks? - Ravindra Shahi - Sept. 29, 2006


Rajesh and Ravindra,

I can understand how offended and disturb you guys are with couple of bad movies. I don’t blame you. I appreciate your concern for this form of entertainment.

But I don’t completely agree with you guys on the quality of movies that is being produced in Bollywood nowadays. In recent years Bollywood has produced some masterpieces. For example movies like “Rang De Basanti”, “Omkara”, “Lage Raho Munnbhai” are mind blowing. You will have to appreciate the brain that directors of these movies have put in. I don’t think Bollywood has ever produced movies like “Black” till now…hats off to Sanjay Leela Bansali. Nagesh Kukunoor’s “3 Deewarein” , “Iqbal” and now “Dor” are treat to eyes. The count is innumerable and so is the brilliance of this genre of directors.

The point which I want to drive in is that it is not fair to compare these two generations of Bollywood. In yesteryears, there were very few directors and as many writers, singers, lyricist and actors. In those days there wasn’t competition like we have now. Technically we were backwards. But now technically we are almost at par with Hollywood and other countries’ movies. Take the example of a recent flick- Hrithik Roshan starrer “Krrish”, it was brilliant in every aspect of movie making. Nowadays, the competition in the market is cut throat. There so many movie makers. Each year more than 300-400 movies are produced in Bollywood. There are ought be some good and some bad produce. After all, Bollywood doesn't practice Six Sigma!!!!

Bottom-line, there are both good and bad. We the viewers will have to select between them. - Jayant Singh, Glendale, AZ, USA - Oct. 1, 2006

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